I also really hope the Brothers Wright get sufficient funding to start producing 120 CineStill 800 Tungsten film so I can use it in my medium format film cameras like my Mamiya RZ 67 and Mamiya 645 Super (plus also in my 120 roll film back for the 4 . Could be. But generally it's said that 400 or lower is useless indoors, and you should go with 800 or up. Depending on what you're shooting, you choose a film that matches your sensitivity needs. Photos by @elivicksn, @shoot_film_, u/rgmphoto, @jjasonchambers, u/florisred, u/treebarks8, Which one of these tips will you try with your Cinestill 800T daylight photos? . Light meter battery ran low and I overexposed my ASA 400 HP5+. As for who said 400 or(!) Bright conditions like shooting outdoors on a sunny day benefit from lower values. Browse other questions tagged, Start here for a quick overview of the site, Detailed answers to any questions you might have, Discuss the workings and policies of this site. Is there a more recent similar source? Using an 85C warming filter in front of your camera's lens is arguably the best way to shoot CineStill 800T in daylight. There are, however, ways to control the colour cast that CineStill 800T produces when shot in daylight. It would probably have to be a variable one when I'm shooting mixed scenes/lighting, so I will look for that. Just go by your camera's built in meter. You can speed up this process with the Curves adjustment layer that has image sampling pipettes (to the left of the histogram) which you can use to pick the white, grey, and black points in your photograph. Let's start by understanding h. you could shoot this film at 800 and get more leeway in terms of aperture/shutter range. //
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